The Shore of Unspoken
hybrid film / 3.26 min / AT 2018
Local Artist Award @ YOUKI Filmfestival Wels 2018
Dancer: Eszter Petrány
Voice: Julia Windischbauer
Veronika Penz: Screenplay, Directing, Editing, Sound Design
David Reindl: Screenplay, Cinematography, Color Grading
Martin Dorfer: Motion Capture, 3D Simulation, Rendering
Michael Hammerer: Modeling, Post Production, Sound Design
Jasmina Huynh: Text Production, 3D Simulation, Organisation
Manuel Sam: 3D Layout, Modeling, Shading
Lookbook photoshoot, Fall/Winter 2020-21
MASI is a fashion label from Linz, Austria. They create designer knitwear pieces with using high quality materials (e.g.: 100% merino wool, 100% cotton, silk-cashmere mixtures). All of their fabrics are certified by “Ökotex Standard 100” and their brand follows a green way of creation and production.
Christina Huber-Prunthaller is the heart of MASI who – together with Fritz Prunthaller and Mareen Grünsteidl – works tirelessly to create extravagant pieces with clean lines and elegance. I first worked with MASI in 2012 at the MODEZONE fashion show.
Magazine, graphic design work in the theme of fashion and body image issues.
Graphic design, editing, styling: Sarah Weinberger
Photos: Stefan Picart
“Acies” is a diploma work of Sarah Weinberger, whose principle idea was to create a magazine about the phenomenon how the image of “the ideal body” has been distorted. The topic served as an excellent surface to show Sarah’s creative skills in graphic designs and to play with lines, shapes and colours through this thread. The magazine looks like and starts as a usual fashion magazine, but the messages of the articles and the aesthetics of the photos drive the reader towards a darker, deeper and rather psychological field that raises attention to our health, appreciation, acceptance and individuality.
FremdBILDER is a performance that correlates to the work of J. Angerbauer-Goldhoff – Goldene Empore “HUMAN___gold“. The production was created in collaboration with the designers of the label biZZikletten.
Choreography: Eszter Petrány
Dancers: Kai Chun Chuang, Gyeongjin Lee, Eszter Petrány, Enyer Ruiz, Maria Shurkhal
Music: beauty spreads
Photo exhibition by Adri Örkényi
“I have learnt to hide behind the photographer: sunglasses, hair, a hoodie, an attitude…The array of tools ready for deployment. I am constantly hiding in a world full of predators. Survival – check.
But from time to time, flashes of ‘the woman’ appear. Sensitive, fragile, delicate, tender, beautiful. For him, any time.
Complicated, yet simple.” – Adri Örkényi
Date of the opening: January 22, 2020
Period of the exhibition: January 22, 2020 – March 28, 2020
Location: Deák Palace, Fashion Street, Deák Ferenc u. 15., Budapest, Hungary
Photographer: Adri Örkényi
Dancer and performer of the opening evening: Eszter Petrány
Experimental photo sessions with Balázs Koch
2018, 2019, 2020
“I’m Balazs Koch, a fashion photographer from Budapest. I have been taking photos for about 10 years. In fashion photography I have been inspired by the great photographers of the 70s and 80s such as Richard Avedon, Helmut Newton, among the contemporary ones I like Peter Lindbergh and Hedi Slimane. I like simple, natural pictures, a captured moment, an expressive look is a lot more important than a well composed grotesque pose that is sometimes preposterous or simply unnatural. A feeling, a mood is more essential for me than the perfect lights and well constructed composition.
Most of my pictures are black and white, as it helps to simplify the spectacle and attracts the attention on the gist.” – Balázs Koch
- Dance/movement photography (2018)
A book of Christian Heigner’s collodion photographs.
“The main focus of my work lies in the various ways of identification of individuals with their profession. I am moreover interested in how I, as the photographer, deal with these different situations. The models and I interact in developing suitable forms of presentation, starting from informative all the way to artistic pictures. In doing this photographic technique is always taken into consideration. This process still leaves questions unanswered though, such as: “How do the photographic models or an unconcerned viewer perceive the situation?“ ”Could the viewer’s biases possibly match situations documented?“ “- Christian Heigner